Brand meaning and its social categories: A semiotic approach for future marketing
DOI:
https://doi.org/10.15549/jeecar.v9i5.1065Keywords:
Brand Meaning, Social Categories, Semiotic Approach, Future MarketingAbstract
This research aims to decode brand meanings from the logos of two multinational companies and to encode their social categories. The companies chosen for this study are in the technology field. To analyze this issue, a qualitative-descriptive method was used to define the message contained in the logo and express the logo's social categories in a cultural context. A semiotic approach was used to analyze the specified company's logo; results showed that the logo's meaning was conveyed through four dominant colors representing Innovation, Dominance, Variation, and Sophistication. These findings suggest that the companies attempted to achieve higher social categories, implying that they aim to have exclusive control of their products. In conclusion, companies can use its social category to create a new concept for another logo as part of a potential marketing strategy. Later, these findings can be used to create a future marketing strategy.
References
Astuti, Rini. "Semiotika Dalam Bidang Manajemen Pemasaran." J-MKLI (Jurnal Manajemen dan Kearifan Lokal Indonesia) 1.2 (2018): 116-123. DOI: 10.26805/jmkli.v1i2.13 DOI: https://doi.org/10.26805/jmkli.v1i2.13
Barthes, R. (1967). Elements of Semiology 1st Edition. Hill and Wang.
Barthes, R. (1972). Mythologies. New York: The Noonday Press.
Barthes, R. (1968). Elements of semiology (Vol. 4). Macmillan.
Borirakcharoenkit, P., Sukhabot, S., Rinthaisong, I., & Soonsan, N. (2022). The effect of brand equity on investor loyalty in online securities trading using the Technology Acceptance Model. Journal of Eastern European and Central Asian Research (JEECAR), 9(2), 295-308. DOI: 10.15549/jeecar.v9i2.829 DOI: https://doi.org/10.15549/jeecar.v9i2.829
Flick, U. (2018). An introduction to qualitative research. Sage Publications Limited.
Gasparini, A. (2015, February). Perspective and use of empathy in design thinking. In ACHI, the eight international conference on advances in computer-human interactions (pp. 49-54).
Hoed, B. H. (2014). Semiotik dan Dinamika Sosial Budaya (3rd ed.). Depok: Komunitas Bambu.
https://1000logos.net/google-logo/, accessed in April 22, 10.42
https://logos-world.net/microsoft-logo/, accessed in April 22, 10.15
https://pixabay.com/, accessed in April 13, 2022, 10.45.
https://usbrandcolors.com/, accessed in April 13, 2022, 11.01.
Hudders, L., Pandelaere, M., & Vyncke, P. (2013). Consumer meaning making: The meaning of luxury brands in a democratised luxury world. International Journal of Market Research, 55(3), 391-412. DOI: 10.2501/IJMR-2013-000 DOI: https://doi.org/10.2501/IJMR-2013-036
Hunjet, A., & Vuk, S. (2017). The psychological impact of colors in marketing. International Journal Vallis Aurea, 3(2), 42-54. DOI: 10.2507/IJVA.3.2.4.37 DOI: https://doi.org/10.2507/IJVA.3.2.4.37
Kusuma, A. H. P., Sudirman, A., Purnomo, A., Aisyah, S., Sahir, S. H., Rumondang, A., ... & Simarmata, J. (2020). Brand Management: Esensi, Posisi dan Strategi. Yayasan Kita Menulis.
Lawes, R. (2020). Using semiotics in marketing: How to achieve consumer insight for brand growth and profits. Kogan Page Publishers.
Marta, R. F., & Septyana, V. (2017). Semiotika Pemasaran pada Brand Value Melalui Sign Berupa Layout Berita dan Iklan Ibadah Haji (Studi Komparasi pada Harian Pos Kota dengan Rakyat Merdeka). Semiotika: Jurnal Komunikasi, 9(2).
Oswald, L. R., & Oswald, L. (2012). Marketing semiotics: Signs, strategies, and brand value. Oxford University Press. DOI: 10.1093/acprof:osobl/9780199566495.001.0001 DOI: https://doi.org/10.1093/acprof:osobl/9780199566495.001.0001
Pierik, R. (2004). Conceptualizing cultural groups and cultural difference: The social mechanism approach. Ethnicities, 4(4), 523-544. DOI: 10.1177/1468796804047472 DOI: https://doi.org/10.1177/1468796804047472
Piliang, Y. A. (2012). Semiotika dan Hipersemiotika; Kode, Gaya, dan Matinya Makna. Bandung: Matahari.
Pinson, C. (1998). Marketing semiotics. INSEAD.
Polyanska, A., & Malynka, O. (2014). Knowledge Management as a Basis of Modern Development of the Companies. Journal of Eastern European and Central Asian Research (JEECAR), 1(2), 9-9. DOI: 10.15549/jeecar.v1i2.19 DOI: https://doi.org/10.15549/jeecar.v1i2.19
Ratna, N. K. (2013). Teori, Metode, dan Teknik Penelitian Sastra. Yogyakarta : Pustaka Pelajar.
Rook, D. W. (1989). Book Review: Marketing and Semiotics: New Directions in the Study of Signs for Sale. DOI: https://doi.org/10.2307/3172914
Rossolatos, G. (2015). Handbook of brand semiotics. kassel university press GmbH.
Saussure, F. De. (1981). Course in General Linguistics (Fourth). Bungay, Sufolk: The Chaucer Press ltd.
Thompson, C. J., & Arsel, Z. (2004). The Starbucks brandscape and the discursive mapping of local coffee shop cultures. Journal of Consumer Research, 31(3), 631-642. DOI: https://doi.org/10.1086/425098
Tsotra, D., Janson, M., & Cecez-Kecmanovic, D. (2004). Marketing on the Internet: A semiotic analysis. AMCIS 2004 Proceedings, 526.
Downloads
Published
How to Cite
Issue
Section
License
The JEECAR journal allows the author(s) to hold the copyright and publishing rights of their own manuscript without restrictions.
This journal applies the Creative Attribution Common License to works we publish, and allows reuse and remixing of its content, in accordance with a CC-BY 4.0 license.
Authors are free to: Share — copy and redistribute the material in any medium or format and Adapt — remix, transform, and build upon the material for any purpose, even commercially.
Under the following terms: Attribution — You must give appropriate credit, provide a link to the license, and indicate if changes were made. You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use.
No additional restrictions — The author may not apply legal terms or technological measures that legally restrict others from doing anything the license permits.
The JEECAR Journal is committed to the editorial principles of all aspects of publication ethics and publication malpractice as assigned by the Committee on Public Ethics.